You guys, I broke up with my boyfriend a few weeks ago. It was amicable/mutual/logical or whatever, but it still sucks a lot. Especially since I'm in a new town, and I have a lot of alone time to watch cheesy teen dramas from Australia and sob. (But I mean seriously, the curveball at the end of season 2 was heartbreaking.) Anyway, in the interest of full self-pity, here are some songs to cry to.
1. "I Have Nothing" by Whitney Houston (1993)
I just watched The Bodyguard (1992) this afternoon,* and this song just spoke to me in the way that only early 90s pop ballads can.
2. "I Will Always Love You" by Dolly Parton (1974)
Speaking of The Bodyguard, the original version of "I Will Always Love You" is effective in its simplicity. The speaking parts are perfection.
3. "Bell Bottom Blues" by Derek and the Dominos (1970)
Just a reeking of desperation.
4. "Over You" by Miranda Lambert (2012)
Okay, so no one died or anything, but it gets the general idea that losing someone sucks.
5. "Caroline No" by The Beach Boys (1966)
Ugh, Beach Boys, you make an ending relationship sound so beautiful.
6. "It Makes No Difference" by The Band (1975)
First class lyrics and mournful guitar and saxophone solos. It certainly helps that Rick Danko's voice sounds like it's going to give out at any minute.
7. "Marvin's Room (Can't Do Better)" by Jojo (2011)
This song is so embarrassing, it's perfect. NSFW.
8. "Landslide" by Fleetwood Mac (1975)
This was one of the ex's favorite songs. Seems apropos.
9. "Let It Die" by Feist (2004)
Possibly the saddest chorus I've ever heard.
10. "The Shrine/An Argument" by Fleet Foxes (2011)
Epic folk, ending in chaos.
11. "Now At Last" by Blossom Dearie (1956)
This is what it feels like.
12. "St. Swithin's Day" by Billy Bragg (1984)
A man, his guitar, a beautiful chord progression, and an overabundance of lyrics.
Feel better? Me neither. Have a good cry.
*My sister's really accurate commentary.
Showing posts with label Fleetwood Mac. Show all posts
Showing posts with label Fleetwood Mac. Show all posts
4/28/2012
2/08/2010
100 Favorite Songs: 26-30
Love gone wrong in the '60s and '70s
"Silver Springs" didn't make it into the original cut of Fleetwood Mac's Rumours, but it just may be my favorite song on the (rereleased version) album. It's a beautiful piece of music with a cathartic "we would have been awesome together, idiot" message.
Personally, I'm not a fan of knickers, even though I'm a fan of period drama.
27. "Over the Hills and Far Away" by Led Zeppelin (1973)
I only let myself pick 2 songs per artist, so "Over the Hills and Far Away" is the last for Led Zep on this list. What can I say? I can't resist the soft beginning/rockin' chorus combo.
I can never get over how goofy Jimmy Page looks.
28. "Walk on By" by Dionne Warwick (1964)
I love Burt Bacharach.
My mom has some great Dionne Warwick was a total diva stories from 1970s BYU.
29. "Hello Darlin'" by Conway Twitty (1970)
When you're on the losing end of the break-up.
Where can I get that sequin guitar strap, please?
30. "Cecilia" by Simon and Garfunkel (1970)
This song has been stuck in my head since my 5th grade obsession with Bridge Over Troubled Water, and it hasn't gotten less awesome.
8/29/2009
Medley of the Day: Spoon edition
Via The Phrase Finder:
1. "Gold" by Interference. Classical usage: "I was born with a silver spoon."
2. "Substitute" by the Who. Reworked usage: "I was born with a plastic spoon in my mouth."
3. "Gold Dust Woman" by Fleetwood Mac. Virulent usage: "Take your silver spoon and dig your grave."
"Born with a silver spoon in one's mouth."
Meaning: Born into a wealthy family.Origin: This is commonly thought to be an English phrase and to refer to the British aristocracy. That may well be the case, but the earliest citation in print is from the USA.
Deb. U.S. Congress, 1801:
"It was a common proverb that few lawyers were born with silver spoons in their mouths."
Mediaeval spoons were usually made of wood. Spoon was also the name of a chip or splinter of wood and it is likely that is how the table utensils derived their name. It has been a tradition in many countries for wealthy godparents to give a silver spoon to their godchildren at christening ceremonies. That may be the source of the phrase, or it may simply be derived from the fact that wealthy people ate from silver while others didn't.
1. "Gold" by Interference. Classical usage: "I was born with a silver spoon."
2. "Substitute" by the Who. Reworked usage: "I was born with a plastic spoon in my mouth."
3. "Gold Dust Woman" by Fleetwood Mac. Virulent usage: "Take your silver spoon and dig your grave."
8/06/2009
Medley of the Day: Moving away from Utah edition
I have a love/hate relationship with Utah. I came down here for school, and I don't regret it at all, but it's such a weird culture. A little too Mormon for my taste (I consider myself a moderate-liberal Mormon, if you can work with that). Anyway, I'm moving up to Seattle for grad school, and I'll be traveling back the Washington (my home state) this weekend. So, in honor of my journey, here's an extended playlist. Read into the song choices whatever you want.
1. "Place in this World" by Michael W. Smith. Oh yes, I went there. I can't not sing along to this song.
2. "Gonna Move" by Susan Tedeschi. This is a good story set to some bluesy awesomeness.
3. "Don't Stop Me Now" by Queen. Always appropriate.
4. "Funky Town" by Lipps, Inc. It's about movin'. To Funky Town.
5. "Don't Stop Believin'" by Journey. Because every mix deserves a power ballad.
6. "Journey to the Past" from Anastasia. So cheesy, so perfect.
7. "500 Miles" by the Proclaimers. I'm just sad Ted and Marshall won't be in my car singing and playing Zitch Dog with me. It's going to be a long trip.
8. "Never Going Back Again" by Fleetwood Mac. I've been on a Rumours kick lately.
9. "I Feel Bad" by Rascal Flatts. Country power ballad. Just embrace it and listen to the end of the chorus.
10. "I'm Free" by the Who. I like to think of Roger Daltrey running along the beach a la the film adaptation of Tommy.
11. "Handbags and Gladrags" by Stereophonics. This song (no matter what the version) will always remind me that it's the end of a painful/bizarre day.
1. "Place in this World" by Michael W. Smith. Oh yes, I went there. I can't not sing along to this song.
2. "Gonna Move" by Susan Tedeschi. This is a good story set to some bluesy awesomeness.
3. "Don't Stop Me Now" by Queen. Always appropriate.
4. "Funky Town" by Lipps, Inc. It's about movin'. To Funky Town.
5. "Don't Stop Believin'" by Journey. Because every mix deserves a power ballad.
6. "Journey to the Past" from Anastasia. So cheesy, so perfect.
7. "500 Miles" by the Proclaimers. I'm just sad Ted and Marshall won't be in my car singing and playing Zitch Dog with me. It's going to be a long trip.
8. "Never Going Back Again" by Fleetwood Mac. I've been on a Rumours kick lately.
9. "I Feel Bad" by Rascal Flatts. Country power ballad. Just embrace it and listen to the end of the chorus.
10. "I'm Free" by the Who. I like to think of Roger Daltrey running along the beach a la the film adaptation of Tommy.
11. "Handbags and Gladrags" by Stereophonics. This song (no matter what the version) will always remind me that it's the end of a painful/bizarre day.
7/28/2009
The Audacity of Rock: Part 20
Boys and girls together.
It's too bad there aren't more bands that have guys and girls together because I love the combination of male and female voices (one million points for country music). Unfortunately, they don't have the best track record.
"The Chain" by Fleetwood Mac (1977)
This band had it's share of issues, letting a girlfriend into the band. But you can't tell me the beginning of this song isn't magic thanks to some mixed-sex harmonies.
Feel free to sing along in Japanese.
"I Know What I Am" by Band of Skulls (2009)
I like that Russell Marsden and Emma Richardson take turns singing the verses. They have similar delivery, but there's still a difference in timbre that makes the song much more interesting than just one singer. Also, got to love a low range in a lady.
Questions to ponder:
1. Are guy/girl bands always a bad idea?
2. Is it okay to love Fleetwood Mac?
It's too bad there aren't more bands that have guys and girls together because I love the combination of male and female voices (one million points for country music). Unfortunately, they don't have the best track record.
"The Chain" by Fleetwood Mac (1977)
This band had it's share of issues, letting a girlfriend into the band. But you can't tell me the beginning of this song isn't magic thanks to some mixed-sex harmonies.
Feel free to sing along in Japanese.
"I Know What I Am" by Band of Skulls (2009)
I like that Russell Marsden and Emma Richardson take turns singing the verses. They have similar delivery, but there's still a difference in timbre that makes the song much more interesting than just one singer. Also, got to love a low range in a lady.
Questions to ponder:
1. Are guy/girl bands always a bad idea?
2. Is it okay to love Fleetwood Mac?
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