The war of the Batman voice

Imitating Christian Bale's ridiculous Batman voice is never-ending hilarity, but somehow I never thought that anything could beat Sheldon's imitation from episode 1 season 2 of The Big Bang Theory (stick to the end of the clip):



And then that little sitcom that brings joy to my life every week, Community, tops it when Abed, dressed as Batman, saves Jeff and Pierce from a falling fort of chairs. And then when Troy sounds tries the voice:



Never. Ending. Hilarity.

The Thomas Crown Affair (1968)

1968's The Thomas Crown Affair is gorgeous to look at. You have the very attractive Steve McQueen sporting a three-piece suit while leading the perfect bank robbery:

Then Faye Dunaway comes in as an insurance investigator to help solve the crime and make some money:


The two get intimately involved all while they're both plotting each other's downfalls. :


Then there's a lot of editing and multiple screen flare:



And Mr. McQueen showing that short shorts can be manly as long as you're in a dune buggy you helped design:


And one sexy game of chess:

With numerous telling close-ups:

Fun, breezy, stylish, sexy, lovely.

Well, besides this awkward theme song, "The Windmills of Your Mind":

The Audacity of Rock: Part 32

Tone it down and build it up.

A surefire way to make any song way more exciting: drop out some instruments, either in volume or entirely, and then bring 'em back in with a vengeance. Also, I won't complain if you have some sweet vocal harmonies to add to the mix.

"Feelin' Satisfied" by Boston (1978)

Brad Delp works it out vocally to an epic guitar riff and claps-only percussion at the beginning of the chorus (see :54 and again at 2:30). Boston always knows how to up the ante.

"Girlfriend" by Phoenix (2009)

French sensations Phoenix display this timeless technique by blending it with modern rock's penchant for a continuous driving beat. The band tones down all the instruments, but keeps us interested before building to the glorious "girlfrieeeend" (see 1:21 and more obviously at 2:28 and 2:57).

Questions:

1. What's with bands being named after places (if Phoenix is referring to the city and not the mythical bird)?

2. Is there any Boston song that doesn't make you want to a) have a spontaneous dance party, b) go outside and loudly greet strangers, or c) take a joy ride in your car?

The Sleeper has Awakened, Whatever That Means: Dune (1984)

This is my part of the Class of '84 Blogathon hosted by This Distracted Globe.

David Lynch's Dune is what it is. It's an attempt to adapt an epic novel into a 2 hour 16 minute film, which contains a complicated world created out of various religious and literary heritages. Also, it's set in the year 10,191. Some the film comes off beautifully, some of it cartoonish, but I was entranced the whole way through.

The context is within an Empire with two dueling houses, the Harkonnen and the Atreides. The biggest fight is over the planet Arrakis, which harvests the life lengthening and mind/time/space bending spice, melange. However, a messiah, or Kwisatz Haderach, is foretold by the Bene Gesserit sisterhood to save the planet Arrakis (also known as Dune) from empire rule. This messiah and our film's protagonist is Paul Atreides, son of the Duke Leto Atreides and his concubine Jessica who also happens to be a member of the Bene Gesserit. Also, there are sand worms.

Anyway, watching Dune is a pretty ineffable experience. I understand why it was poorly received: it's confusing and campy. But it can also be mystical and lovely. I guess that's what you get when you have a soundtrack by Toto, but also a cast containing Patrick Stewart. So let me take you through my experience with Dune with some screenshots.

This is our narrator, although we hear the interior thoughts of other characters as well that help orient the viewer. This is kind of successful. I think I mostly knew what was going on because the 1965 book was assigned summer reading for AP English one year.

I think I could watch sand dunes forever, thank goodness this movie has a lot of that.

I loved that this translating microphone looked like an olde timey press conference mic.

Here we have a combination of Catholic and Islamic religious influence.We see the Reverend Mother of the Bene Gesserit sisterhood (nuns, much?) excused out of the very Islamic architecture inspired room (look at those ceilings!) where the Emperor hangs. Way to sneak in some subtext, set design.

Victorian military uniform, octopus-like alien thing in a tank + entourage, all in that Islamic architecture again. I just love this combination.

Patrick Stewart and Dean Stockwell would later go on to become television scifi legends. I don't know what the big eyebrow guy would go on to do.

Somehow, this super-stylized personal block-shield thing didn't age too badly. (FYI: there's a one-on-one fight going on.)

I wish I had visions of Sting, even if it was the creepy Dune-villain Sting.

Here's the Victorian inspired costuming again. It anchors the story in an idea of a noble class that viewers can relate to. Is it that this is the most recent representation of monarchy that we have? Or have we not strayed from these fashions too much to make them look ridiculous? This is just to say, costume design did a good job of making the costumes relatable.
Also, it reminds me of my favorite Hamlet adaptation.
Also, how much more awesome would this movie had been if Kenneth Branagh were in it?

The Reverend Mother testing Paul Atreides to see if he is the one. The bald head gives her such a sinister and alien look.

Hey look! It's Sting with a knife.
(P.S. This was the cartoonish I was talking about. Do you see the begoggled scientist at the left?)

Hey look! It's the grossest villain ever. Baron Harkonnen is floating around with some sort of machine because he's too fat and unhealthy to move on his own. In this scene, he will feed on a beautiful and healthy young man. The ambiguousness of it contributes to its disgustingness.

The whole family, from left to right: dog, son, father, concubine.

Instead of aliens, creepy looking people with glowing blue eyes.

They have special suits on that preserve and convert a body's sweat and waste to water in order for a person to survive the harsh desert planet of Arrakis. I'm pretty sure they forgot to put on their helmets, but I'm glad their feathered hair is doing okay.

Beardy fremen, the inhabitants of Arrakis. Notice their spice-addled blue eyes.

Fetus in a womb.
You're welcome.

This setting indicator looks like a mouth.

I like that this dissolve involves water, sand, and young love. The elements of a successful empire overthrow.

Proving his manly leadership skills, Paul goes out to tame a sand worm. By this point he goes by the name Muad'Dib, which in the Dune world means desert mouse, but in real life means educator in Arabic. Fun fact!

The close up shots with the worm look really good. Great job, FX guys.

Paul's sister, formerly the fetus, doing her part to destroy the Harkennons. It mostly involves her being unsettlingly perceptive.

It's scenes like this that I'm impressed no one was giggling the whole time. The lines are cheesy and completely expository, but the actors are almost too sincere to mock.

Honestly, they're talking about the most ridiculous things (like sand worms and spice and the Bene Gesserit) that make sense in a huge novel, but come off hokey on film. Good effort, guys.

The film really succeeds at the mystical/trippy stuff, which is to David Lynch's credit. It doesn't have to look real or make that much sense. It just has to create a feeling and make basic impressions. These scenes translated better to me, as a first time viewer in the year 2009, than all of the outdoor space shuttle scenes.

I would like to take this time to point out that the brilliant Patrick Stewart has a skullet.

You can't say Sting isn't dedicated to this job. He goes full psychopath and literally bites that hand in the final knife fight. This screenshot alone may revive The Great Sting Obsession of 2006.

Anyway, people die, Paul's little sister says this:

Fin.

Roll credits.

And then I discovered this:

Kyle MacLachlan is so young and that hair is so big, I just didn't realize that Paul Atreides was also Special Agent Dale Cooper! This improves my opinion of the film exponentially.

And because you've made it to the end of this, I will reward you with the best subplot in the whole film. (Click pictures for a better view.)

Oh no! The family dog is wandering with nowhere to go!

Captain Picard to the rescue!!!
Seriously, they took the time to save the dog. I honor that.


I also honor this:

Gratuitous Sting.
You're welcome.

To Have and Have Not (1944)

I wish I had the kind of sexy that Lauren Bacall had at age 19 in To Have and Have Not. Apparently the secret of character of Slim was this:

We discovered that she was a little girl who, when she became insolent, became rather attractive. That was the only way you noticed her, because she could do it with a grin. So I said to Bogey, “We are going to try an interesting thing. You are about the most insolent man on the screen and I’m going to make a girl a little more insolent than you are.”

“Well,” he said, “you’re going to have a fat time doing that.” And I said, “No, I’ve got a great advantage because I’m the director. I’ll tell you just one thing: she’s going to walk out on you in every scene.” So as every scene ended, she walked out on him. It was a sex antagonism, that’s what it was, and it made the scenes easy. (Howard Hawkes, via Old Hollywood)

And also a little of this:

I used to tremble from nerves so badly that the only way I could hold my head steady was to lower my chin practically to my chest and look up at Bogie. That was the beginning of The Look. It became my trademark. (Lauren Bacall, via Old Hollywood)

I might also add that lovely low voice and the way Humphrey Bogart looks so amused at her antics. The pairing might have been creepy (Bogart was 45), but instead seems like a perfect match. And it certainly worked out for those two, anyway.

The Audacity of Rock: Part 31

Rock and the spoken word.

I'm a fan of random words inserted in songs. It's haunting and confusing all at once.

"Us and Them" by Pink Floyd (1973)

The spoken part is taken from an interview with a Pink Floyd roadie named Roger the Hat (according to the wikis). "I mean, they're not gonna kill ya, so if you give 'em a quick short, sharp, shock, they won't do it again. Dig it? I mean he got off lightly, 'cause I would've given him a thrashing, I only hit him once. It was only a difference of opinion, but really, I mean good manners don't cost nothing do they, eh?" (4:55)

Also according to 'pedia, "The phrase 'short, sharp shock' is a phrase meaning 'punishment that is quick and severe.'" Which also might describe how you feel after being forced to repeat the phrase that appears in Gilbert and Sullivan's classic The Mikado in the song "I Am so Proud."

To sit in solemn silence in a dull, dark dock,
In a pestilential prison with a life-long lock
Awaiting the sensation of a short, sharp shock
From a cheap and chippy chopper on a big, black block.

You can hear it at minute 2:20 of the following clip:

You're welcome.

"Nantes" by Beirut (2007)

The speaking part in this song (2:12) is taken from the French film La Bete Humaine (1938). I thank awesome YouTube user peskasker for providing the clip, synopsis of the scene, and the translation. So here's the info:

"In this scene, the husband (Séverine Roubaud) is trying to caress his wife (Flore), but she has no intention of doing so."



Le French:

- "Oh non je t'en prie, nous ne sommes pas chez nous."
- "Oh je t'assures que ce n'est pas grave."
- "Non laisse moi!"
- "Mais qu'est-ce que tu as aujourd'hui?"
- "Je sais que les hommes me dégoutent. Vous ne pensez qu'à ça..."

English translation:

- "No, not here."
- "But I assure you, it doesn't matter."
- "No! Leave me!"
- "What's wrong with you?"
- "Men disgust me. You only think of that (sex). You're all the same..."

Consider yourself enlightened.

Questions:

1. Do these spoken words enhance your listening pleasure, or detract from it?

2. How awesome is the name Roger the Hat?